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ONE 104, Early 1970s
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GRAIN P-1, 1993
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GRAIN P-15, 1993
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GRAIN P-31, 1993
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GRAIN P-35, 1993
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GRAIN P-383, 1993
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GRAIN P-4, 1993
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GRAIN P-63, 1993
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GRAIN P-93, 1993
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ONE (Hamburg), 1970
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ONE 1, 1970
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ONE 11, 1970
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ONE 110, 1970
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ONE 128, 1970
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ONE 15, 1970
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ONE 150, 1970
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ONE 156, 1970
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ONE 161, 1970
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ONE 233, 1970
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ONE 267, 1970
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ONE 271, 1970
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ONE 273, 1970
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ONE 279, 1970
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ONE 283, 1970
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ONE 299, 1970
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ONE 34, 1970
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ONE 394, 1970
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ONE 407, 1970
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ONE 41, 1970
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ONE 431, 1970
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ONE 443, 1970
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ONE 473, 1970
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ONE 473, 1970
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ONE 5, 1970
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ONE 66, 1970
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ONE 93, 1970
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ONE 95, 1970
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Self Portrait 365 / Diary 1972, 1972
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March 19, 1972, 1972
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March 21, 1972, 1972
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April 5, 1972, 1972
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May 15, 1972, 1972
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June 12, 1972, 1972
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July 19, 1972
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July 22, 1972, 1972
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August 28, 1972
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September 3, 1972, 1972
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with (maquette for publication), 1998
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with 906, 1998
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with 934, 1998
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ONE (collage of 5L), 1970
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ONE (collage of 5S - A), 1970
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ONE (collage of 5S - B), 1970
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Ken Ohara (b. 1942) is known as an innovator in the genre of photographic portraiture by transforming our standard perceptions of others, ourselves, and what photography might be best suited to accomplish.
In 1970, while working as an assistant to Hiro and Richard Avedon, he emerged as a young artist with his seminal ONE series. ONE features close-up faces of more than 500 New Yorkers, suggesting an essentially thin boundary across all human races and genders. The same year he produced a yearlong photographic diary in an intimate miniature album. These remarkable early accomplishments marked the beginnings of Ohara’s photographic journey for the next 50 years or so.