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with 817, 1998
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with 846, 1998
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with 863, 1998
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with 868, 1998
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with 875, 1998
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with 904, 1998
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with 908, 1998
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with 909, 1998
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with 913, 1998
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with 918, 1998
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Claude Chabrol at the NY Film Festival, 1970
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David Lean at the NY Film Festival, 1970
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François Truffaut at the NY Film Festival, 1970
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Ken Loach at the NY Film Festival, 1970
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Martin Scorsese at the NY Film Festival, 1970
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ONE (Hamburg), 1970
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ONE 128, 1970
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ONE 161, 1970
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ONE 299, 1970
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ONE 473, 1970
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ONE 66, 1970
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ONE 93, 1970
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ONE 95, 1970
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Paul Morrisey at the NY Film Festival, 1970
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March 16, 1972, 1972
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March 29, 1972, 1972
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April 2, 1972, 1972
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April 5, 1972, 1972
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May 18, 1972, 1972
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ONE 5, Early 1970s
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ONE 172, Early 1970s
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ONE 413, Early 1970s
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with (album), 1998
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with 860, 1998
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with 883, 1998
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with 906, 1998
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with 924, 1998
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with 934, 1998
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ONE (collage of 5L), 1970
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ONE (collage of 5S - A), 1970
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Ken Ohara (b. 1942) is known as an innovator in the genre of photographic portraiture by transforming our standard perceptions of others, ourselves, and what photography might be best suited to accomplish.
In 1970, while working as an assistant to Hiro and Richard Avedon, he emerged as a young artist with his seminal ONE series. ONE features close-up faces of more than 500 New Yorkers, suggesting an essentially thin boundary across all human races and genders. The same year he produced a yearlong photographic diary in an intimate miniature album. These remarkable early accomplishments marked the beginnings of Ohara’s photographic journey for the next 50 years or so.


