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KAMI 23, 2023
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KAMI 14, 2001
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KAMI 25, 2001
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BLACKOUT 49, 1980
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BLACKOUT 06, 1983
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BLACKOUT 10, 1980
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BLACKOUT 20, 1980
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BLACKOUT 24, 1980
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BLACKOUT 25, 1980
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BLACKOUT 27, 1993
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BLACKOUT 28, 1983
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BLACKOUT 49, 1980
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BLACKOUT 55, 1980
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Flying Frying Pan 01, 1981
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Flying Frying Pan 02, 1983
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Flying Frying Pan 05, 1994
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Flying Frying Pan 09, 1994
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Flying Frying Pan 11, 1979
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Flying Frying Pan 12, 1979
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Flying Frying Pan 14, 1979
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Flying Frying Pan 15, 1979
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Flying Frying Pan 18, 1981
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Flying Frying Pan 20, 1981
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Flying Frying Pan 22, 1982
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Flying Frying Pan 25, 1983
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Flying Frying Pan 28, 1994
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Flying Frying Pan 30, 1979
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Flying Frying Pan 33, 1990
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Flying Frying Pan 34, 1981
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Flying Frying Pan 35, 1981
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Flying Frying Pan 36, 1994
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Flying Frying Pan 39, 1982
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Flying Frying Pan 40, 1983
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Flying Frying Pan 43, 1983
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Flying Frying Pan 44, 1983
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Flying Frying Pan 45 , 1979
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Flying Frying Pan 46, 1981
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Flying Frying Pan 47, 1979
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Flying Frying Pan 62, 1979
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Flying Frying Pan 69, 1983
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Flying Frying Pan 70, 1981
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KAMI 8, 2001
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KAMI 12, 2001
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KAMI 14, 2001
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KAMI 15, 2001
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KAMI 16, 2001
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KAMI 21, 2001
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KAMI 25, 2001
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KAMI 27, 2001
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KAMI 31, 2022
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Watchers - City 1, 2006 /2008
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Watchers - City 10, 2006 /2008
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Watchers - City 11, 2006 /2008
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Watchers - City 12, 2006 /2008
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Watchers - City 17, 2006 /2008
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Watchers - City 18, 2006 /2008
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Watchers - City 6, 2006 /2008
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Watchers - City 8, 2006 /2008
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Watchers - City 9, 2006 /2008
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Watchers - Waterfall 1, 1994
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Watchers - Waterfall 10, 1994
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Watchers - Waterfall 15, 1994
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Watchers - Waterfall 16, 1994
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Watchers - Waterfall 21, 1994
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Watchers - Waterfall 23, 1994
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Watchers - Waterfall 3, 1994
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Watchers - Waterfall 4, 1994
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Watchers - Waterfall 5, 1994
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Watchers - Waterfall 6, 1994
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Watchers - Waterfall 7, 1994
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Watchers - Waterfall 8, 1994
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Hitoshi Fugo’s uniquely dark and abstract vision negotiates existing orders and relationships between his subjects and locations both physically and psychologically. Fugo doubts the notion that photography captures reality exactly as seen through the photographer’s eye. Instead he believes the photographer only sees the darkness of the closing shutter. Even during that millisecond as the image is frozen into a photograph, the world continues to change.
Hitoshi Fugo studied photography at Nihon University in Tokyo. In 1970 upon graduating he worked for Eiko Hosoe, the internationally known master photographer. In 1973, he became a freelance photographer based in New York and Paris. During the 1970s and 1980s, he traveled extensively and created many series including BLACKOUT, which he first exhibited in Tokyo in 1982 under the title Dark Changes. His other work includes Flying Frying Pan (1974-1994), a black and white series capturing many aspects of the surface of a frying pan, Game Over (1980-1991), a series inspired by the West Edmonton Mall in Canada, On the Circle (2003-2011) and Waterfall Watchers (1994). In 2017, he exhibited his new project Body and Horizontal Bar (2003-2015) in Tokyo and Fukuoka. Fugo’s work has had international exposure in exhibitions such as Japanese Photography Today (Spain, 1986) and Japanese Contemporary Photography (Germany, 2000). His recent publications include BLACKOUT (2018, L’Artiere) and WATCHERS (2020, Fugensha).